Calexico El Kabong Rides Again Tabs

Every now and so when a Music Video is made for a song, the song will either undergo a noticeable change, or a different version than that on the anthology volition be used. Sometimes a live version, a single version, remix or a new recording is used, and sometimes certain parts are re-done for creative or quality purposes. Sound effects might also be added.

This does not cover using censored versions of songs, such equally is usually done for rap videos.

Related to Rewritten Pop Version.

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Examples:

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    Alternative Rock and related

• The video version of "I Bet You Wait Good On the Dancefloor" by Arctic Monkeys features the band performing the song live in a television set studio. The audio featured in the video is the actual alive recording of the band in the TV studio.
• Calexico's "Minas de Cobre" was used for a Drawing Network Groovies short, "El Kabong Rides Again". Unlike the original version (from the anthology The Black Lite), this version had an extended intro with more audio-visual guitars and omitted the song's bridge entirely.
• The video version of "What Would You Say?" from Dave Matthews Ring has ii additional repetitions of the pre-sax solo titular refrain, with the sax solo itself undergoing a special extension.
• "My Immortal" by Evanescence is much more than guitar-centered in the music video version, while the regular album version is more orchestral and doesn't feature multiple Amy Lees in the chorus.
• The video for "Everlong" by Foo Fighters features a repetition of the final chorus which isn't present in the studio version.
• Garbage's theme for The Globe Is Non Enough has a variant, in which the video are the film's opening credits. There, the line "There'due south no point in living/If you lot can't feel alive" is cut, probably because this is eventual dialogue from the movie, and ane used in a spoilery fashion, to boot.
• The video for Gorillaz' "Clint Eastwood" has a short musical intro that isn't on other versions.
• The video for Nirvana's "Smells Like Teen Spirit" noticeably cuts out the 2nd rendition of the solo.
• OK Go's music video for "Needing/Getting" is them driving effectually in a machine, making something that sounds kinda like the song. It'south absurd, merely entirely different.
• Stone Temple Pilots' video version of "Creep" has the verses completely re-sung by Weiland while apparently keeping the original versions of the choruses.
• Switchfoot made ii different music videos for "Dare You to Move". The video with the surfer being resuscitated afterwards almost drowning was identical to the version from The Beautiful Letdown (other than omitting the really tranquility part of the intro), simply the video with the guy running through city streets added a loud electric guitar hook to the intro.
• Very minor version in Panic! at the Disco's "Ix in the Afternoon", which fills a interruption with an repeat of "know that it should" that's not present in the album version.
• The video version of Architecture In Helsinki's "Do The Whirlwind" is well-nigh a minute shorter than the anthology version and has a completely different ending: While the anthology version ends with a horn section repeating a variation on the main riff a few times, the music video version segues into a Chiptune-esque ending, fitting with the retro video game look of the Animated Music Video... And the shift in musical style accompanies The Reveal that the characters that we thought were the protagonists were actually enemies in a Pac-Man imitating arcade game.
• The Twang's "Either Way" video both shortens certain parts of the vocal (the second repetition of jangly guitars prior to the get-go line of the song is cut, and the very last part of the song is shortened) and censors certain lines besides (the song's two S-bombs were changed to "information technology" and "things", respectively).
• The original video to "Spaceman" by Babylon Zoo cuts out the opening and closing parts that are significantly different from the rest of the vocal.
• R.Eastward.Thou. 'due south "So. Central Rain" features a new live lead vocal due to Michael Stipe refusing to lip-sync to the original rail, finding the experience too faux. (In fact, Stipe wouldn't lip-sync for a video until 1991'southward "Losing My Religion".) The residual of the band is playing forth to the original backing track.
• Weezer's "Go along Fishin' " was completely re-recorded for the single release and the popular video depicting the ring appearing on The Muppet Evidence, giving it a smoother sheen than the album version.

    Electronic

• Björk's "All Is Full Of Dear" video uses the "Radio String Mix" instead of the anthology version.
• Royksopp:
  • The iconic video for "Remind Me" sounds like a remix of the anthology version.
  • The championship runway of their after collaboration with Robyn, Do It Once again is reworked slightly for the video. Instead of the album's striking-the-ground-running opening, the version in the video opens with an almost orchestral working of the principal hook.

    Grunge

• Pearl Jam:
  • The video for "Alive" is that of a filmed live performance, not lip-synching to the bodily single.
  • The "Fifty-fifty Flow" video features a dissimilar studio recording of the song the band did with second drummer Dave Abbruzzese; the new recording was as well used for the Britain single.
• Soundgarden'due south video version of "Savage on Blackness Days" is a studio recording session (the producer fifty-fifty says "This is the master of 3" while the band'due south warming upwardly) rather than the version on Superunknown. This version of the song was released on their EP Songs from the Superunknown.
• The video for Alice in Chains' "Grind", for some reason, had Jerry Cantrell'due south vocals very awkwardly laid over Layne Staley'due south on some parts. Fortunately, modernistic versions feature the original mix.

    Difficult Rock

• Aerosmith's "Cryin'" had a few repetitions of the chorus line leading into the end of the song to arrange the video's running time.
• "Valley Of The Kings" by Bluish Murder (John Sykes' band afterwards he was fired from Whitesnake) is edited down to 5:45, from the album version which is only under viii minutes.
• The LP version of the Blue Öyster Cult's "The Marshall Program" (about a hopeless dreamer with minimal musical talent trying to make information technology big) uses the heavy rock cliché of the opening bars of Deep Purple's "Smoke on the Water." Information technology too homages an American TV rock show and its presenter Don Kirshner. Strangely enough, the video version omits both these items; information technology has been suggested so every bit to avert paying royalties. The story told in the video still just virtually makes sense but is disjointed without the jokes implicit in a hopeless loser who can simply recollect to rehash "SOTW" and who dreams of actualization on what is assumed to be a very cheesy, corny, mainstream TV evidence.
• The video of "With Arms Wide Open" by Creed has strings added which are not in the original version of the song.
• The video for "I Believe in a Thing Called Love" by The Darkness uses a different mix than the anthology version. Namely, the guitars in the intro aren't filtered, the guitar solo has been double tracked, and the song is in the key of F Major, rather than Due east.
• The video for Def Leppard's "Pour Some Carbohydrate On Me" uses a different intro than the album version.
• Guns N' Roses:
  • In an attempt to make "Sweet Kid o' Mine" more marketable to MTV and radio stations, the vocal was cut from 5:56 to 4:00 for radio, with Slash'southward second guitar solo removed. This motility drew the ire of the band members, including Axl Rose, who commented on it in a 1989 interview with Rolling Stone: "I hate the edit of 'Sugariness Kid o' Mine'." Radio stations said, "Well, your vocals aren't cut." "My favorite office of the vocal is Slash's tedious solo; it's the heaviest part for me. There's no reason for it to be missing except to create more infinite for commercials, then the radio-station owners tin get more advertising dollars." The video version, which clocks in at four:12, split the difference by using the same edits except for Slash's solo, which was kept fully intact.
  • Quasi-ZigZagged with "Don't Cry" which featured two completely dissimilar sets of lyrics, one version released on each disc of their infamous Apply Your Illusion double-disc set. MTV used to run the same video and both versions with the text "alternate version" for the version included on Utilise Your Illusion Two.

    Hip Hop/Rap

• The video version of "Shake Your Rump" by the Beastie Boys features a scratch solo after the 2nd verse instead of the bell hitting featured on the anthology version.
• In the video for Death Grips' "No Love", the song is occasionally interrupted past a harsh, distorted noise and "1000%! I USED TO Give A FUCK!" pops up on the screen, in keeping with the "on the [X]th day I gave a fuck / did not give a fuck" scrolling across the bottom of the screen. This break doesn't appear in the actual song.
• Gorillaz'south "Clint Eastwood" added a new intro with an actual sample of The Expert, the Bad and the Ugly (along with Murdoc laughing) and understandably shortened the outro that lasted nearly ii minutes in the anthology to only 30 seconds.
• The version of Ice Cube's "Check Yourself" on the album The Predator uses a dissimilar crush (the same ane Salt-Due north-Pepa used for "Shoop"), while the video and radio versions used the remix sampling Grandmaster Flash's "The Message".
• For "It'due south A Shame" past Monie Honey, there were 2 videos fabricated. One was more than straightforward, and used the anthology version of the song (based on a sample of "It's A Shame" by the Spinners); the other made heavy utilise of Day-Glo effects and early-1990s hip-hop art, and a remix of the song based on a different sampled riff (from "He'southward The Greatest Dancer" past Sister Sledge). The 2nd version was what got MTV airplay.

    Industrial Metal

• All of Ministry'southward videos feature remixed versions of their songs. For case, "Burning Within" but has a few extra furnishings, whereas "Just One Fix" and others have beats changed, sections added in, and other changes.
  • Oddly, the music video for "Jesus Built My Hot Rod" Quote Mines Gibby Hayne's already surreal spoken intro: "Jerry Lee Lewis was the devil. Jesus was an architect prior to his career as a prophet" is altered to go "Jesus was the devil".

    Jazz

• The version of "Black and Tan Fantasy" played by Duke Ellington and his Orchestra in 1929 film Black and Tan is quite unlike than any of the released recordings of the song. Clarinetist Barney Bigard has a solo, and a gospel choir sings background, befitting the somber mood as Knuckles'southward wife dies.
• Jaga Jazzist's "All I Know Is Tonight" music video edits all the Subdued Sections from the center of the rails. The album version of the song runs 7:51, while the video version is just 3:35.

    Heavy Metal

• Slipknot does this on some of their songs' videos:
  • Both versions of the video for "Await and Bleed" use the radio version of the song, whose mix almost completely buries the screamed vocal rail in the verses and the final chorus under the sung runway, dissimilar the album version where they are evenly balanced.
  • "Before I Forget" starts with Jim Root played a palm-muted chord that comes to book instead of the album version's common cold open up, several instrumental parts are shortened, and the song ends with Corey Taylor dropping the mic and the band walking off the ready, leaving mic noise and feedback instead of the anthology version's electronic/scratch outro.
  • "Duality" shortens a few instrumental parts and the span and completely cuts off the last "All I've got / All I've got is insane" section, catastrophe the vocal afterward the terminal chorus and a short melody line instrumental.
• Metallica made ii versions of the video for "1". The first is the entire vocal and is intercut with scenes from the picture Johnny Got His Gun. The second, called the "jammin' version", leaves out the moving-picture show scenes and fades out during the last bridge.

    Metalcore

• For the video for Killswitch Engage's "My Expletive", almost all the screamed vocals were re-recorded being sung cleanly, which drastically changes the feel of the song.

    New Wave Music

• Duran Duran:
  • The video for "The Reflex" is based on the single version produced by Nile Rodgers rather than the Seven and the Ragged Tiger cut. Information technology adds a male/female person a capella intro.
  • The video for "Ordinary World" uses the shorter radio version of the vocal instead of the album version from The Nuptials Album, removing the intro and mashing two instrumental bridge sections together.
• New Club were infamous for releasing remixed, extended, radio edit, and updated versions of their songs and songs from their previous band incarnation Joy Partitioning. The video for "The Perfect Osculation" has them playing live, equally they refused to lip-sync.

    Pop

• ABBA'southward video for "On And On And On" has an extra poetry which was cut for unspecified reasons on its unmarried release and the Super Trouper album, cutting the song downwardly from iv:12 to 3:twoscore. It didn't announced on a concrete release until the Super Trouper Deluxe Edition CD many years later.
• The laurels-winning video for "Accept on Me" by a-ha has a different ending than the one on the Hunting High and Low anthology. While the album version does a repeat-and-fade at the finish, the video has a quick, three-note cold finish using unique instrumentation.
• In that location are two official music videos for The B-52s "Rock Lobster". One is a live performance from 1979, which may have served to promote the vocal at the time of release. The other was made without the group's interest for Island's 1986 edit of the song, set to a montage of their other music videos interspersed with archive footage.
• INXS added a longer intro to their "Never Tear Us Autonomously" video.
• Michael Jackson:
  • The video version of "Thriller" has all the choruses moved to the end of the vocal instead of between verses, with Vincent Price's rap coming before the choruses. The bridge is too omitted.
  • "Blackness or White": The instrumental intro was extended. The ending chorus is likewise longer, in order to suit the several morphing faces.
• Madonna:
  • The "Express Yourself" video uses a remix version of the song created past Shep Pettibone instead of the original album version from Similar a Prayer.
  • The dance mix version of "What Information technology Feels Like For A Daughter" was used for its video instead of the original from Music.
• The video for George Michael's "Too Funky" uses a shortened version of the original from the Cherry-red Hot And Trip the light fantastic toe charity album, all the same keeping Mrs. Robinson's "I'm not trying to seduce you" line from The Graduate intact in its intro.

    Power Metallic

• The video versions of DragonForce's "Through the Burn and Flame" and "Operation Ground and Pound" are just about 5 minutes long while the original versions are over 7 minutes long.
• Iced World'south video for "Desert Pelting" is an alternating recording to the album and has a different arrangement, omitting the long intro. It is unusual that the grouping did this when their other music videos are direct lipsyncs, though it is plausible that it was done as a live-in-studio performance for a TV show.

    Progressive Rock

• In an interesting variation of this trope, well-nigh every song on Pink Floyd's 1979 album The Wall was redone for its 1982 film accommodation, with these re-recordings having noticeable differences from the originals. The Other Wiki's folio on the film has a full list of all the changes made to each song.

    Rock

• The Beatles:
  • They made videos for both sides of their "Hey Jude"/"Revolution" unmarried. Both are filmed performances, semi-live (alive vocals with at least some instruments synched from the recordings). The "Revolution" video is a hybrid of the unmarried "Revolution" and the album version "Revolution one", with the harder sound and faster tempo of the unmarried but the "shoo-be-doo-wah" backing vocals from the anthology version. "Hey Jude" is a proficient infinitesimal shorter than the single, and if you listen to the long coda, Paul McCartney advertising-libs different words, similar when he gives a Shout-Out to The Band by quoting the "take a load off, Fanny" chorus from Band single "The Weight".
  • They also did this in the Let Information technology Exist film. The versions of "Let It Be" and "The Long And Winding Road" performed in the motion picture are dissimilar takes than the ones used in the soundtrack album.
• Phil Collins' "In The Air This night"—the video version has a noticeably harder drumbeat than the album version.
• Radiohead's "There There" video has i version that runs 30 seconds shorter than the song does on Hail to the Thief. The beginning and end, in particular, sound dramatically trimmed. A version featuring the whole song has appeared in such places every bit manager Chris Hopewell's Vimeo page, and the DVD The Best of Radiohead.
• When Simon & Garfunkel performed "The Boxer" live for their 1981 concert in Central Park, the song has an unabridged verse (starting with "Now the years are rolling by me/They are rocking evenly") that is absent from the original version of the vocal as recorded on Bridge Over Troubled Water. On the anthology, that part of the song is an instrumental break.
• The video for ZZ Top's "Legs" uses a version of the vocal that adds backing vocals and another instrumental track too as a unlike intro.
• The video for Neil Young'south "Rockin' in the Gratuitous Globe" has the song played one pace higher (to the key of F), and omits the bridge.
• The video for Nickelback'due south "Rockstar" has the last line of the last chorus replaced with the audience singing it at a live operation, forth with the ring thanking the audience later.
• The video for Queen's "Headlong" contains an actress 5 or so seconds of guitar in between the first chorus and second verse.

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Source: https://tvtropes.org/pmwiki/pmwiki.php/Main/ChangedForTheVideo

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